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CLUB DE LECTURE () - Film - machoirez.tk

For academic interpretations of the film, see Interpretations of Fight Club. We're designed to be hunters and we're in a society of shopping.

There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore. In that societal emasculation this everyman [the Narrator] is created. Fincher described the Narrator as an " everyman "; [8] the character is identified in the script as "Jack", but left unnamed in the film. By the start of the film, he has "killed off" his parents. With Tyler Durden, he kills his god by doing things they are not supposed to do. To complete the process of maturing, the Narrator has to kill his teacher, Tyler Durden.

While Tyler is who the Narrator wants to be, he is not empathetic and does not help the Narrator face decisions in his life "that are complicated and have moral and ethical implications". Fincher club de rencontre film "[Tyler] can deal with the concepts of our lives in an idealistic fashion, but it doesn't have anything to do with the compromises of real life as modern man knows it.

Which is: you're not really necessary to a lot of what's going on. It's built, it just needs to run now. The Narrator is comfortable being personally connected to Tyler, but club de rencontre film jealous when Tyler becomes sexually involved with Marla. When the Narrator argues with Tyler about their friendship, Tyler tells him that being friends is secondary to pursuing the philosophy they have been exploring.

While Tyler desires "real experiences" of actual fights like the Narrator at first, [18] he manifests a nihilistic attitude of rejecting and destroying institutions and value systems, club de rencontre film.

Tyler's initiatives and methods become dehumanizing; [19] he orders around the members of Project Mayhem with a megaphone similar to camp directors at Chinese re-education camps.

Fincher described the Narrator's immersion: "It was just the idea of living in this fraudulent idea of happiness. Norton said of the Beetle, "We smash it We're rooting for ball teams, but we're not getting in there to play. We're so concerned with failure and success—like these two things are all that's going to sum you up at the end, club de rencontre film.

Isn't the point of fascism to say, club de rencontre film, 'This is the way we should be going'? But this movie couldn't be further from offering any kind of solution. Before its publication, a Fox Searchlight Pictures book scout sent a galley proof of the novel to creative executive Kevin McCormick. The executive assigned a studio reader to review the proof as a candidate for a film adaptation, but the reader discouraged it. McCormick then forwarded the proof to producers Lawrence Bender and Art Linsonwho also rejected it, club de rencontre film.

Producers Josh Donen and Ross Bell saw potential and expressed interest. They arranged unpaid screen readings with actors to determine the script's length, and an initial reading lasted six hours. The producers cut out sections to reduce the running time, and they used the shorter script to record its dialogue.

When a new screenwriter, Jim Uhlslobbied Donen and Bell for the job, club de rencontre film, the producers chose him over Henry, club de rencontre film. Bell contacted four directors to direct the film. Bryan Singer received the book but did not read it. Danny Boyle met with Bell and read the book, but he pursued another film. David Fincherwho had read Fight Club and had tried club de rencontre film buy the rights himself, talked with Ziskin about directing the film.

He hesitated to accept the assignment with 20th Century Fox at first because he had an unpleasant experience directing the film Alien 3 for the studio.

To repair his relationship with the studio, he met with Ziskin and studio head Bill Mechanic. Producer Art Linson, who joined the club de rencontre film late, met with Pitt regarding the same role.

Linson was the senior producer of the two, so the studio sought to cast Pitt instead of Crowe. Fincher instead considered Norton based on his performance in the film The People vs. Larry Flynt.

Ripley and Man on the Moon. He was cast in Runaway Jurybut the film did not reach production. He could not accept the offer immediately because he still owed Paramount Pictures a film; he had signed a contractual obligation with Paramount to appear in one of the studio's future films for a smaller salary. Norton later satisfied the obligation with his role in the film The Italian Job. The pieces were restored after filming concluded. When Fincher joined the film, he thought that the film should have a voice-over, believing that the film's humor came from the Narrator's voice.

When Pitt was cast, he was concerned that his character, Tyler Durden, was too one-dimensional. Fincher sought the advice of writer-director Cameron Crowewho suggested giving the character more ambiguity.

Fincher also hired screenwriter Andrew Kevin Walker for assistance. He invited Pitt and Norton to help revise the script, and the group drafted five revisions in the course of a year. Palahniuk recalled how the writers debated if film audiences would believe the plot twist from the novel. Fincher supported including the twist, arguing, "If they accept everything up to this point, they'll accept the plot twist.

If they're still in the theater, they'll stay with it, club de rencontre film. Fincher refused, so Milchan threatened Mechanic that New Regency would withdraw financing. Mechanic sought to restore Milchan's support by sending him tapes of dailies from Fight Club. After seeing three weeks of filming, Milchan reinstated New Regency's financial backing. She designed an extra's ear to have cartilage missing, inspired by the boxing match in which Mike Tyson bit off part of Evander Holyfield 's ear.

Sets were also built in Century City. The interior was given a decayed look to illustrate the deconstructed world of the characters. Fincher compared Fight Club to his subsequent, less complex film Panic Room : "I felt like I was spending all my time watching trucks being loaded and unloaded so I could shoot three lines of dialogue.

There was far too much transportation going on. He hired Jeff Cronenweth as cinematographer; Cronenweth's father Jordan Cronenweth had been cinematographer for Fincher's film Alien 3but left midway through production due to Parkinson's disease.

Fincher explored visual styles in his previous films Seven and The Game, and he and Cronenweth drew elements from these styles for Fight Club. The scenes with Tyler were described by Fincher as "more hyper-real in a torn-down, deconstructed sense—a visual metaphor of what [the Narrator is] heading into". The filmmakers used heavily desaturated colors in the costuming, makeup, and art direction.

Fincher club de rencontre film Cronenweth drew influences from the film American Graffitiwhich applied a mundane look to nighttime exteriors while simultaneously including a variety of colors. Fincher sought various approaches to the lighting setups; for example, he chose several urban locations for the city lights' effects on the shots' backgrounds. The crew also embraced fluorescent lighting at other practical locations to maintain an element of reality and to light the prostheses depicting the characters' injuries.

The crew equipped the bar's basement with inexpensive club de rencontre film lamps to create a club de rencontre film glow. Fincher avoided stylish camerawork when filming early fight scenes in the basement and instead placed the camera in a fixed position. In later fight scenes, Fincher moved the camera from the viewpoint of a distant observer to that of the fighter. Tyler was not filmed in two shots with a group of people, nor was he shown in club de rencontre film over-the-shoulder shots in scenes where Tyler gives the Narrator specific ideas to manipulate him.

In scenes before the Narrator meets Tyler, the filmmakers inserted Club de rencontre film presence in single frames for subliminal effect. Flashing was implemented on much of the exterior night photography, the contrast was stretched to be purposely ugly, the print was adjusted to be underexposedTechnicolor 's ENR silver retention was used on a select number of prints to increase the density of the blacks, and high-contrast print stocks were chosen to create a "stepped-on" look on the print with a dirty patina, club de rencontre film.

Haug assigned the visual effects artists and experts to different facilities that each addressed different types of visual effects: CG modeling, animation, compositing, and scanning. Haug explained, "We selected the best people for each aspect of the effects work, then coordinated their efforts.

In this way, we never had to play to a facility's weakness. Fincher also used previsualized footage of challenging main-unit and visual effects shots as a problem-solving tool to avoid making mistakes during the club de rencontre film filming. The network was mapped using an L-system and drawn out by a medical illustrator. The film's title sequence is a second visual effects composition that depicts the inside of the Narrator's brain at a microscopic level; the camera pulls back to the outside, starting at his fear center and following the thought processes initiated by his fear impulse.

The company mapped the computer-generated brain using an L-system[46] and the design was detailed using renderings by medical illustrator Katherine Club de rencontre film. The pullback sequence from within the brain to the outside of the skull included neuronsaction potentialsand a hair follicle. Haug explained the artistic license that Fincher took with the shot, "While he wanted to keep the brain club de rencontre film looking like electron microscope photographythat look had to be coupled with the feel of a night dive—wet, scary, and with a low depth of field.

The scene represents a turning point that foreshadows the coming rupture and inversion of the "fairly subjective reality" that existed earlier in the film.

Fincher explained: "Suddenly it's as though the projectionist missed the changeover, the viewers have to start looking at the movie in a whole new way. He pursued Radiohead[13] but singer Thom Yorke declined as he was recovering from the stress of promoting their album OK Computer. Dust Brothers performer Michael Simpson explained the setup: "Fincher wanted to break new ground with everything about the movie, and a nontraditional score helped achieve that.

They did not receive the film positively and were concerned that there would not be an audience for the film. The studio further delayed the film's release, this time to autumn, club de rencontre film, citing a crowded summer schedule and a hurried post-production process. They considered that the film was primarily geared toward male audiences because of its violence and believed that not even Pitt would attract female filmgoers.

Research testing showed that the film appealed to teenagers. The firm proposed a bar of pink soap with the title "Fight Club" embossed on it as the film's main marketing image; the proposal was considered "a bad joke" by Fox executives.

Fincher also released two early trailers in the form of fake public service announcements presented by Pitt and Norton; the studio did not think the trailers marketed the film appropriately. The studio advertised Fight Club on cable during World Wrestling Entertainment broadcasts, which Fincher protested, believing that the placement created the wrong context for the film.

Despite the film's top placement, its opening gross fell short of the studio's expectations. The board assigned the film an 18 certificate, limiting the release to adult-only audiences in the UK. The BBFC did not censor any further, club de rencontre film, considering and dismissing claims that Fight Club contained "dangerously instructive information" and could "encourage anti-social behavior ". The board decided, "The film as a whole is—quite clearly—critical and sharply parodic of the amateur fascism which in part it portrays.

Its central theme of male machismo and the anti-social behaviour that flows from it is emphatically rejected by the central character in the concluding reels. The film was released in two DVD editions.


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club de rencontre film


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